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This story beautifully illustrates
the centrality of the Prophet Muhammad (God bless him and give him peace) to
Islamic piety. For hundreds of years Muslims have meditated on and lucidly
expressed their deep love for the Chosen Prophet (God bless him and give him
peace); they have collected and compiled every available account concerning
him, produced immense commentaries detailing his every feature, from the
length of his hair and the color of his complexion, to the way he walked,
slept, and laughed, and have composed lyrical poetry giving voice to their
immense longing for him.
The Prophet (God bless him and
give him peace) said, “The person nearest to me is the one who asks for
blessings upon me the most.” Throughout history Muslims have sought continual
presence with the Prophet (God bless him and give him peace), manifesting
their love for him by adhering to God’s command: “bless him and pray for
peace upon him” (The Qur’an, Sura al-Ahzab :). In the spirit of this command,
Muslim scholars have produced prayer manuals of the utmost beauty and
eloquence. These manuals most frequently consist of collections of prayers,
supplications, and praise from the Qur’an and hadith, as well as original
compositions. Of these prayer manuals, perhaps none have been more successful
and widespread than Muhammad b. Sulayman al-Jazuli’s masterwork Dala’il al-
Khayrat wa Shawariq al-Anwar fi Dhikr al-Salat ‘ala al- Nabi al-Mukhtar (The
Guide to Blessings and the Advent of Light in Blessing the Chosen Prophet).
Composed in Morocco in the fifteenth century, Dala’il al-Khayrat quickly
spread throughout the Muslim world, from Turkey, to East Africa, to Sumatra.
Who was al-Jazuli? Why was Dala’il al-Khayrat so popular? How have Muslims
interacted with and experienced the text, both as a performative act and as a
physical object? By exploring these questions, it is hoped that the reader
may gain a fuller understanding and greater appreciation of this
extraordinary text, its author, and its inspiration.
The Context and Formation of
Dala’il al-Khayrat: The Life of Muhammad b. Sulayman al-Jazuli
At the dawn of the fifteenth century, the Marinid dynasty had ruled Morocco
for over one hundred and fifty years. The early Marinid period was marked by
military campaigns and vigorous architectural activity. They built a variety
of structures: new urban centers, zawiyas, fortresses, and mosques. However,
their most marvelous architectural contributions were madrasas: four at Fez
and one at Salé. In the oldest of these madrasas, Madrasat al-Saffarin in
Fez, young Muhammad b. Sulayman al-Jazuli received instruction in the
religious sciences.
By the mid-fifteenth century, Moroccan
society was in chaos. Corruption and immorality were rampant in both the
cities and the countryside. Port cities along the Atlantic and Mediterranean
coasts fell to the crusading Portuguese. Due to internal strife and foreign
military pressure, the Marinid state began to fragment. Morocco was in need
of religious reform and reorientation. It was precisely at this trying time
that al-Jazuli introduced his remarkable work Dala’il al- Khayrat.
Abu ‘Abdullah Muhammad b. ‘Abd al-Rahman b.
Abi Bakr b. Sulayman al-Jazuli al-Samlali was born to a sharif [a descendent
of the Prophet Muhammad] family in the southern Moroccan village of Tankarat
in the early fifteenth century. He belonged to the Simlala, an important
subtribe of the Sanhaja Berbers that lived on the Sus River plain between the
High Atlas and Anti-Atlas Mountains. Little detail is known about his life.
However, his biographer, Muhammad al-Mahdi al-Fasi (d.), mentions in his work
Mumti’ al-Asma’ a number of anecdotes and pithy expressions, giving a glimpse
into the religious world of early modern Morocco.
As a young scholar al-Jazuli left his homeland of Jazula because inter-tribal
conflicts made serious study impossible. He traveled to Fez and enrolled at
Madrasat al-Saffarin, where his room is still shown to visitors. In Fez he
memorized works of usul al-fiqh and Maliki law, such as Ibn al-Hajib’s
Mukhtasr al-Far’i and Sahnun’s Al-Mudawwana al-Kubra. He also met the famous
jurist and mystic Sheikh Ahmad Zarruq. As a youth he became known for his
piety. Al-Fasi relates a stunning example of al-Jazuli’s detachment from
worldly concerns:
While he was attending the
madrasa, he secluded himself in a house and no one else would enter. This
news reached his father who thought the youth’s persistence in barring others
from entering was because he was hiding wealth, so he set out to visit his
son. He requested permission to enter his son’s house and was given leave.
When he entered he saw written all over the walls: “Death, Death, Death ...”
He understood what his son was up to. He reproached himself, saying, “Look
where he is and look where we are!” Then he left his son and returned home.
Several accounts detail
al-Jazuli’s inspiration in writing Dala’il al-Khayrat. According to al-Fasi,
he collected Dala’il al-Khayrat from books in the Qarwiyyin library in Fez
after witnessing a woman perform miracles (kharq al-’ada). When he inquired
as to how she had attained this ability, she replied, “By sending blessings
on the Prophet, may God bless him and give him peace.” Thenceforth al- Jazuli
devoted himself to sending blessings on the Prophet (God bless him and give
him peace).Al-Manfaluti, Maliki mufti of nineteenth-century Medina, provides
a different account in his work Manaqib Sidi al-Shaykh al-Jazuli:
The reason for al-Jazuli’s writing
Dala’il al-Khayrat … was that one day he was late for his prayers, even
though it was his custom to seek the approval of God the Exalted by not
delaying a prayer beyond the earliest possible time for its performance. When
he arose to make his ablutions, however, he was unable to find anything with
which to take water out of the well. This preoccupied him greatly and he was
very annoyed. While he was in this state a young girl caught sight of him
from a high place and said, “Who are you, uncle?” The sheikh then told her
about himself, hoping that she would give him a bucket and thus ease his
cares and worries. Instead the girl exclaimed, “You are the one whom people
praise greatly, yet you are unable to take water from a well in order to
purify yourself !” Then she came down from that high place and spat into the
well while reciting the Name of the Lord of Creation. No sooner had she done
so than water tasting as sweet as the sweetest sugar poured forth from the
well until it spilled over the face of the earth as a miracle from the One
who rolls up the scroll of time. The sheikh made his ablution and marveled at
this splendid miracle. When he finished, he swore by God Almighty that the
girl should reveal to him how she had acquired this great rank. “By making
constant prayers on the Best of Creation (may God bless and preserve him) to
the number of breaths and heartbeats (bi-’adad al-anfas wa al-daqa’iq),” she
replied. So al-Jazuli resolved at that moment to write a book about the
excellence of prayers on behalf of the Chosen Prophet and to include in it
many transmitted texts from the mine of prophecy and from those who have
drowned in the sea of the effusion of God’s abundant generosity. All of this
(which was due to what he perceived in this great miracle) would not have
been possible had it not been for this girl, who was devoted to reciting
prayers on the Adornment of the Last Day (zayn al-qiyama).
Al-Jazuli took the Shadhili tariqa
from Abu ‘Abdullah Muhammad Amghar al-Saghir (d.) of Ribat Tit-n- Fitr. After
taking part in the resistance to the Portuguese at Tangier in , he went into
seclusion (khalwa). Some historians claim that he worshiped in isolation for
fourteen years; while others maintain that he traveled east for some time,
reciting Dala’il al-Khayrat twice each morning to the Prophet (God bless him
and give him peace) in Medina. Upon his reemergence in , al-Jazuli
established a zawiya at the Atlantic port city of Asafi. Al-Jazuli was
“frequent in reciting litanies (awrad), observant of God most High in all his
states, not exceeding the boundaries God established, and exerting himself in
following the Book of God and the example of his Messenger (God bless him and
give him peace).” He founded the Shadhiliyya Jazuliyya order, with Dala’il al-Khayrat
at its core, and over, disciples received spiritual training (tarbiya) at his
hands.
Later writers describe the nature
of al-Jazuli’s relationship with the Prophet (God bless him and give him
peace): there mixed, in his person, “the two loves”—the love one feels for
the Prophet due to religion, and the love one feels for one’s kinsfolk
(mahabba al-diniyya wa al-tiniyya).Al-Jazuli died while prostrating during the morning prayer,
the victim of poisoning. He was later buried at Riyadh al-’Arus in Marrakesh.
Known in the local dialect as “Sidi Ben Sliman,” he is one of the seven
patron saints of Marrakesh. He left Dala’il al-Khayrat as a testament to his
immense love and longing for the Prophet (God bless him and give him peace):
O God, I believed in Muhammad but
did not see him; do not deprive me in the Gardens of his vision. Bestow his
company upon me and cause me to die in his religion. Let me drink from his
pool a quenching, pleasant, delightful drink after which we shall never
thirst again. You are powerful over everything. O God, convey to the soul of
Muhammad my greetings and peace. O God, as I believed in Muhammad but did not
see him, do not deprive me in the Gardens of his vision.
Few
books have experienced the widespread fame and eminence of Dala’il
al-Khayrat. It was the pivotal text of the Shadhiliyya Jazuliyya; the daily
litany of his disciples which included two complete readings of Dala’il
al-Khayrat. Al-Jazuli divided Dala’il al-Khayrat into sections corresponding
to the days of the week. Each section contains diverse praises, invocations,
and poetic references seamlessly bound into a flowing unity. Its melodic,
rhythmic language aids the devotee in memorization and attaining presence of
heart. Its phrases of exquisite beauty express love and devotion to the
Chosen One (God bless him and give him peace).
Dala’il
al-Khayrat soon became famous for its tremendous baraka, spreading well
beyond the boundaries of Morocco and the Jazuliyya. The baraka of blessing
the Prophet (God bless him and give him peace) extended to include the book
itself; frequent reference is made to the baraka of the physical object. In
one case, a Turkish calligrapher was commanded by the Prophet (God bless him
and give him peace) in a dream to dedicate his life to copying Dala’il
al-Khayrat, continually blessing the Prophet (God bless him and give him
peace) through the loving strokes of his pen.
Beautifully
illustrated manuscripts, lithographs, and print copies, from all over the
Islamic world indicate Dala’il al-Khayrat’s renown. Manuscript artists
produced detailed illustrations of Mecca and Medina. These illustrations were
not merely decorations; rather they were “attempts to create an ideal
symmetry,” indicating “the feeling of a divinely ordered universe, as if the
artists were reflecting the perfection of the Almighty’s plan as revealed
within the sacred scriptures.” Manuscript copies of Dala’il al-Khayrat were
often pocket-sized and could be carried in pouches as amulets. These small
books both facilitated daily recitation and distinguished the “Companions of
the Dala’il ”from others. When in need, people could turn to Dala’il
al-Khayrat.
Al-Fasi reports that whoever seeks to fulfill a need and alleviate sorrow
should read Dala’il al-Khayrat forty times. If they strive to complete the
proscribed number of readings within forty days, their need, be it great or
small, will be fulfilled through the baraka of blessing the Prophet (God
bless him and give him peace). If the text of Dala’il al- Khayrat was not
handled properly the baraka would rectify the situation. In one instance,
mentioned in Mumti’ al- Asma’, a man set a book on top of Dala’il al-Khayrat
and left the room. When he returned he was amazed to find Dala’il al-Khayrat
resting on top! In composing Dala’il al-Khayrat, al-Jazuli sought to teach
the virtue of blessing the Prophet (God bless him and give him peace) and the
best manner in which to do so. Importantly, Dala’il al-Khayrat mentions over
two hundred of the Prophet’s names (God bless him and give him peace)
bringing life to his many roles. One rhythmic sequence vividly portrays his
names concerning the Day of Judgment: he is the “Prophet of Mercy”, the
“Intercessor of the Community”, the “Possessor of the Pool”, and the
“Possessor of the raised standard.” Another sequence inspires reverence and
awe through depictions of the Prophet’s miracles:
O God! Bless him for whom the palm trunk wept and longed for when parted.
O God! Bless him whom the desert birds implored.
O God! Bless him from whose hand the pebbles glorified.
O God! Bless him from whom the gazelle sought intercession with the most
eloquent speech.
O God! Bless him with whom the lizard spoke while in assembly with his
distinguished companions.
O God! Bless him whom the stones greeted.
O God! Bless him to whom the trees prostrated.
O God! Bless him whose light brought forth the flowers.
O God! Bless him by whose baraka the fruits ripened.
O God! Bless him by whose wudu’ water the trees flourished green.
O God! Bless him to whose cloak the wild animals would cling when he walked
the arid desert.
These
remarkable scenes familiarize the reader with the life of the Prophet (God
bless him and give him peace), fostering love and intimacy. Love and intimacy
that inspire the reader to follow his way:
O God make me of those who hold fast to the religion of Muhammad; who exalt
his sanctity, honor his word, preserve his covenant and inviolability, assist
his party and call, increase his followers and group, deliver his troop, and
do not contravene his way and sunna. O God, I ask You for holding fast to his
sunna, and I seek refuge in You from turning from what he brought. O God, I
ask You for the good that Your Prophet and Messenger asked for, and I seek
refuge in You from the evil that Your Prophet and Messenger sought refuge
from.
These
scenes from the Prophet’s life could also inspire the reader to follow his
way in a more literal sense: to walk where the Prophet (God bless him and
give him peace) walked and to visit the places he frequented in Medina. The
most frequently portrayed illustration in Dala’il al-Khayrat depicts the
Prophet’s mosque in Medina. In Islamic devotional literature the image of
Medina often symbolizes longing for the beloved Prophet (God bless him and
give him peace). Medina is the object of immense nostalgia and longing for
poets such as Jami, a contemporary of al-Jazuli:
It is we who, like the tulip in the desert of Medina,
Bear
in our heart the scar of longing for Medina.
Passionate
longing for Paradise may disappear from the wise man’s head, but
It is
not possible that the passionate longing for Medina should leave him...
The
Tuba tree that has lifted its head on the apex of the Throne Is only a branch
from the garden-adorning palm tree of Medina.
When
you eat dates, kiss their kernels, for The kernels of the dates of Medina are
the beads of the angels’ rosary!
Medina is the “City of the Prophet”, for in Medina lies the Prophet of Mercy
(God bless him and give him peace) who is “more splendid than the full moon
and more generous than the sent clouds and the vast seas.” In Dala’il al-Khayrat,
a chapter entitled “A Description of the Noble Garden” lovingly describes the
Prophet’s tomb. In this chapter, ‘Aisha (God be pleased with her) relates to
her father Abu Bakr (God be pleased with him) a vision concerning the Prophet
(God bless him and give him peace):
I saw
three moons falling into my room. I told my vision to Abu Bakr (God be
pleased with him). He told me, “O ‘Aisha, three will be buried in your house.
They are the best people in all the earth.” When the Messenger of God (God bless
him and give him peace) passed away and was buried in my house, Abu Bakr (God
be pleased with him) said to me, “This is one of your moons and he is the
best of them (God bless him and give him peace).”
A
textual portrait of the Prophet’s tomb, based upon the hadith of ‘Urwa ibn
al-Zubayr, appears in Dala’il al-Khayrat, visually representing the
dimensions of the tomb. Abu
Bakr was buried behind the Prophet (God bless him and give him peace), while
‘Umar ibn al-Khattab was buried at the legs of Abu Bakr (God be pleased with
them both):
‘The portrait of the Prophet’s tomb inspires the reader to be among those the
Prophet (God bless him and give him peace) mentioned: “There will come to my
Pool on the Day of Resurrection nations I will know only because of their
frequent asking for blessings upon me.” Dala’il al-Khayrat, replete with
beautiful devotional prayers in honor of the Prophet (God bless him and give
him peace), provides an effective means to achieving this end.
Dala’il
al-Khayrat stands witness to the tremendous baraka of blessing the Chosen
Prophet (God bless him and give him peace). Its composer, Muhammad b.
Sulayman al- Jazuli, devoted his life to this cause and, in the process,
renewed the spiritual landscape of his native Morocco. Dala’il al-Khayrat
spread from Morocco to all corners of the world, inspiring and inculcating
love of the Prophet (God bless him and give him peace) in the hearts of
Muslims everywhere:
Make
us the best of those who bless him and pray for him, the best of those who
draw near to him and come to him, the best of those who love him and are
beloved with him, and gladden us with him in the Courtyards of the
Resurrection. Make him a guide for us to the Garden of Felicity without
trouble, difficulty or discussion of the account, make him accept us and do
not make him angry towards us, and forgive us and our parents and all the
Muslims, the living among them and the dead. The end of our prayer is, praise
be to God, the Lord of the worlds.
Notes:
Al-Suyuti, Jalal al-Din, al-Hirzu al-Mani’ fi al-Salat ‘ala al-Habib al-Shafi’,
p., adapted from the translation of Constance Padwick, Muslim Devotions,
London,
Al-Jazuli, Dala’il al-Khayrat, Maktaba Adab, Cairo
Vincent Cornell, In the Vicinity of the Righteous, University of Texas Press,
Austin
Muhammad al-Mahdi al-Fasi, Mumti’ al-Asma’ Al-Jazuli, Dala’il al-Khayrat,
Annemarie
Schimmel, And Muhammad is His Messenger: The Veneration of the Prophet in
Islamic Piety, University of North Carolina Press,
David
James, “Manuscripts of Muslim Spain”, ARAMCO, November/December , vol.,
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